Apple Pro Training Series: Final Cut Pro for Avid Editors by Diana Weynand

By Diana Weynand

Up-to-date for ultimate reduce professional 7 and written for pro video and picture editors who recognize their means round Avid nonlinear structures, this booklet indicates you ways to translate your abilities to ultimate lower professional speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a accomplished “translation direction” overlaying the entire crucial operations, from undertaking set-up and simple enhancing via transitions and results, colour correcting, compositing, titling, and output. You’ll locate targeted function comparisons, sensible conversion counsel, and directions on find out how to use ultimate reduce seasoned positive factors that aren’t on hand in Media Composer. You’ll additionally study what’s new in ultimate minimize seasoned 7. choked with convenient beneficial properties, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex modifying and workflow assistance, this publication could have you enhancing with ultimate lower professional in checklist time. each one bankruptcy represents an entire lesson in a key element of ultimate lower professional 7 and contains a evaluation part and checklist of keyboard shortcuts. obtainable writing type places knowledgeable teacher at your aspect plentiful illustrations and keyboard shortcuts assist you grasp thoughts quickly bankruptcy evaluation sections summarize what you’ve discovered  

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Extra info for Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition)

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You can mark any of the four points of a split edit by choosing a menu option, using shortcut keys, or dragging the mark points directly in the Viewer or Timeline. You can also create split edits very easily using Trim commands (covered in Lesson 4), and by using the Extend Edit command (covered in Lesson 6). Avid L-cut edit There are two different menus that have Mark Split and other Mark options: the Mark menu and a shortcut menu that appears by Control-clicking the Viewer or Canvas scrubber bar.

In FCP, you are never prompted to give the sequence a destination. You can organize your sequences in a separate bin or leave them in the Browser where they first appear. Sequence tabs Location in Playhead Timeline (position indicator) Track controls area Sequence name and project) Timeline ruler area Button bar Selected sequence area To create a new sequence: You use the same methods to create a new sequence in the Browser as you did to create a new bin. Once a sequence is opened, it appears as a separate tab in the Timeline, just as it appears in the Canvas.

Avid New Track options To add or delete tracks: Do one of the following: Choose Sequence > Insert (or Delete) Tracks. In the Insert Tracks window, select the number and type of tracks you want to insert (or delete), and where you want them placed. com> 46 Translating Basic Editing Skills Control-click in the Timeline track area above the highest video track or below the lowest audio track. From the shortcut menu, choose Add Track to add a new track. To delete a track, Control-click that track in the track control area and choose Delete Track from the shortcut menu.

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